Stephen Whittington

Stephen Whittington serves as Head of Studies in Sonic Art at the Elder Conservatorium of Music, University of Adelaide, where he has shaped contemporary music education and practice since the 1970s. Beginning his electronic music journey under Tristram Cary's guidance, he has established himself as an internationally recognized performer of contemporary music, particularly known for his interpretations of Erik Satie, Morton Feldman, and John Cage. His compositions, including the acclaimed string quartets "Windmill" and "Music for Airport Furniture," have earned widespread recognition, while his multimedia installations and performances, such as "The Last Meeting of the Satie Society" and "Mad Dogs and Surrealists," demonstrate his innovative approach to combining music and visual arts. His eight-hour performance of Cage's "ASLSP" and his interpretation of Feldman's "Triadic Memories," listed among The Wire's '60 Concerts that Shook the World,' showcase his dedication to experimental music. As an educator, composer, and performer, he continues to influence contemporary music through his teaching at the Elder Conservatorium, his writings on music, philosophy, and culture, and his ongoing international performances, particularly in France at events like the Printemps musical d'Annecy and Turbulences sonores, while maintaining his position as a leading figure in Australian experimental music.