This course is part of Writing for Performance and the Entertainment Industries.
This foundational course helps aspiring and experienced playwrights develop their unique creative voice through practical writing exercises and theoretical study. Students learn to craft resonant themes, create powerful characters, and structure effective scenes while understanding audience engagement and theatrical production demands. The course combines creative development with professional insights, teaching both the artistic craft of playwriting and the practical skills needed to succeed in theater industry.
4.4
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Instructors:
English
English
What you'll learn
Create compelling dramatic characters and themes
Master scene structure and dramatic progression
Develop your unique theatrical voice and style
Understand audience engagement and reception
Learn professional theater industry practices
Skills you'll gain
This course includes:
PreRecorded video
Writing exercises, Creativity journal, Scene development
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Limited Access access
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Module Description
The course focuses on developing a distinctive dramatic voice through understanding essential playwriting elements. Students explore theme selection, character creation, scene structure, and creative flow while learning about professional theater industry requirements. The curriculum combines theoretical knowledge with practical writing exercises, helping writers find their unique creative voice and understand audience engagement.
Fee Structure
Individual course purchase is not available - to enroll in this course with a certificate, you need to purchase the complete Professional Certificate Course. For enrollment and detailed fee structure, visit the following: Writing for Performance and the Entertainment Industries
Instructor

8 Courses
A Visionary Playwright and Educator Amplifying Voices from Conflict Zones
Abigail Docherty serves as Course Director and co-director of the MSt in Writing for Performance at the University of Cambridge's Institute of Continuing Education (ICE), where she combines her expertise in playwriting with innovative approaches to teaching creativity and performance. Her acclaimed career in theater began remarkably early when she wrote her first radio play "Listen to my Inside Mind" for BBC Radio 4 at age 15, and has since flourished with notable achievements including winning the 2012 Pearson Bursary Writer in Residence at the Tron Theatre, Glasgow. Her children's play "One Thousand Paper Cranes" earned Best Scottish Contribution to Drama at the Edinburgh Fringe Festival in 2011 and has been produced globally, while her play "Sea and Land and Sky," based on World War I nurses' oral histories, won the 2010 National Open-Stage Playwriting Competition and was published by Methuen Drama. Her portfolio includes significant works like "Four Parts Broken" for The National Theatre of Scotland and "Room" at the Tron, alongside numerous radio plays for BBC Radio 4. In her role at Cambridge, she focuses her creative research on amplifying the voices of women and children from high-conflict and war-zone situations, while also leading workshops on business creativity and resilience, making her a powerful voice in both theatrical education and social advocacy through storytelling.
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Frequently asked questions
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