Explore Stravinsky's groundbreaking ballet The Rite of Spring and its revolutionary impact on modern music and dance.
Explore Stravinsky's groundbreaking ballet The Rite of Spring and its revolutionary impact on modern music and dance.
This engaging course examines Igor Stravinsky's revolutionary ballet The Rite of Spring, focusing on its dramatic 1913 Paris premiere and lasting influence on modern music. Led by Harvard's Thomas Forrest Kelly, students explore the development, rehearsals, and tumultuous first performance that sparked riots in the audience. The course analyzes both musical and choreographic innovations, examining how Stravinsky and his collaborators created a work that challenged conventional artistic boundaries. Students learn about 20th-century orchestral techniques, modernist ballet choreography, and the cultural context that made this work so revolutionary.
4.8
(6 ratings)
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Instructors:
English
English
What you'll learn
Understand 20th-century orchestral forms and techniques
Analyze innovative approaches to ballet choreography
Explore the cultural context of the premiere performance
Examine the collaboration between composer and choreographer
Understand the work's revolutionary impact on modern music
Appreciate the continuing influence of The Rite of Spring
Skills you'll gain
This course includes:
PreRecorded video
Graded assignments, exams
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Limited Access access
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Module Description
This course delves into Stravinsky's revolutionary ballet The Rite of Spring, examining its groundbreaking musical and choreographic innovations. Students explore the work's development from conception through its notorious premiere, analyzing both its musical complexity and choreographic challenges. The curriculum covers 20th-century orchestral techniques, modernist ballet aesthetics, and the cultural context that made this work so controversial, while explaining why it continues to challenge and inspire audiences today.
Fee Structure
Instructor

11 Courses
Prominent Scholar Advancing Musicology and Early Music Performance
Thomas Forrest Kelly is the Morton B. Knafel Professor of Music at Harvard University, specializing in performance practice, early music, and liturgical music. He earned his BA from the University of North Carolina at Chapel Hill and his PhD from Harvard, where he has been a faculty member since 1997. His influential works include "The Beneventan Chant," which received the Otto Kinkeldey Award from the American Musicological Society, and "Capturing Music: The Story of Notation." Kelly has also authored "Early Music: A Very Short Introduction" and "First Nights," which explores significant musical premieres throughout history. He is a member of the American Academy of Arts and Sciences and has received numerous accolades, including being named a Chevalier de l’Ordre des Arts et Lettres by the French Republic. His extensive contributions to musicology encompass research on medieval music and its performance, as well as teaching at various prestigious institutions. Through his scholarly work and active participation in the music community, Kelly continues to influence the understanding and appreciation of early music traditions.
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4.8 course rating
6 ratings
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